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Carman Moore Has Got It Covered"},]}, {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"0px 0px",116:"0px 0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[]}, {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"0px 0px",116:"0px 0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[]}, {"text":"\n "}, {"tag":"h2","attrib":{style:{26:"545px",39:"272.5px 55.2px",65:"center",116:"272.5px 55.2px",123:"30px",124:"30px",125:"30px",126:"30px",158:"545px",159:"545px",178:"234.5px",179:"234.5px",180:"234.5px",181:"234.5px",182:"25px",184:"25px",188:"27.6px",201:"545px",206:"110.4px",227:"italic",230:"24px",235:"sans-serif",324:"110.4px"}},children:[ {"text":"From our new ‘Voice Lore’ print section — composer, performer, and critic Carman Moore talks about his decades at the heart of the NYC music scene"},]}, {"text":"\n "}, {"tag":"h2","attrib":{style:{39:"507px 10.5px",65:"center",116:"507px 10.5px",182:"10px",184:"10px",188:"20px",191:"1px",206:"21px",217:"500",230:"17px",235:"sans-serif",324:"21px"}},children:[ {"text":"by "}, {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"58.8833px 9.75px",46:"uppercase",116:"58.8833px 9.75px",182:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"a","attrib":{"href":"https://www.villagevoice.com/author/r-c-baker/","title":"Posts by R.C. Baker","rel":"author",style:{39:"58.8833px 11.5px",116:"58.8833px 11.5px",230:"19.0333px",254:"pointer"}},children:[ {"text":"R.C. Baker"},]},]},]}, {"text":"\n\n "}, {"tag":"div","attrib":{style:{39:"507px 8.5px",65:"center",116:"507px 8.5px",182:"25px",184:"25px",206:"17px",324:"17px"}},children:[ {"text":"\n "}, {"tag":"time","attrib":{"datetime":"",style:{26:"auto",32:"normal",39:"76.5333px 9.5px",116:"76.5333px 9.5px",182:"0px",184:"0px",188:"17px",191:"1px",201:"auto",206:"auto",217:"500",235:"sans-serif",250:"inline",324:"auto"}},children:[ {"text":"February 3, 2022"},]}, {"text":"\n "},]}, {"text":"\n\n\n "},]}, {"text":"\n\n "}, {"tag":"div","attrib":{style:{39:"507px 0px",43:"0px",110:"0px",114:"relative",116:"507px 0px",127:"0px",129:"0px",192:"0px",197:"0px",198:"0px",199:"0px",200:"0px",206:"0px",284:"0px",324:"0px"}},children:[ {"text":"\n "}, {"tag":"div","attrib":{style:{26:"944px",39:"472px 7.5px",114:"absolute",116:"472px 7.5px",158:"944px",159:"944px",177:"15px",178:"35px",179:"35px",180:"35px",181:"35px",183:"15px",200:"-30px",201:"944px",206:"15px",284:"-30px",324:"15px"}},children:[ {"text":"\n "}, {"text":"\n "},]}, {"text":"\n "},]}, {"text":"\n\n "}, {"tag":"div","attrib":{"id":"js-Content",style:{39:"507px 5847.32px",116:"507px 5847.32px",127:"0px",129:"0px",177:"40px",183:"40px",206:"11694.6px",235:"sans-serif",324:"11694.6px"}},children:[ {"text":"\n "}, {"tag":"div","attrib":{style:{26:"764px",39:"382px 288.067px",116:"382px 288.067px",158:"764px",159:"764px",177:"0px",178:"125px",179:"125px",180:"125px",181:"125px",182:"25px",183:"0px",184:"25px",201:"764px",206:"576.133px",324:"576.133px"}},children:[ {"text":"\n "}, {"tag":"figure","attrib":{style:{158:"none",159:"none",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",184:"0px"}},children:[ {"text":"\n "}, {"tag":"div","attrib":{style:{39:"382px 273.067px",116:"382px 273.067px",206:"546.133px",324:"546.133px"}},children:[ {"text":"\n "}, {"tag":"img","attrib":{"src":"https://www.villagevoice.com/wp-content/uploads/2022/02/web_carmen-1366x976.jpg","alt":"","srcset":"https://www.villagevoice.com/wp-content/uploads/2022/02/web_carmen-1366x976.jpg 1366w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_carmen-300x214.jpg 300w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_carmen-1024x732.jpg 1024w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_carmen-768x549.jpg 768w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_carmen-1536x1097.jpg 1536w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_carmen-600x429.jpg 600w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_carmen-400x286.jpg 400w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_carmen-200x143.jpg 200w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_carmen.jpg 1916w","sizes":"(max-width: 1366px) 100vw, 1366px","width":"1366","height":"976",style:{32:"normal",158:"960px",159:"960px"}},children:[]}, {"text":" "},]}, {"text":"\n "}, {"tag":"figcaption","attrib":{style:{13:"justify",18:"baseline",39:"382px 15px",116:"382px 15px",122:"8px",128:"8px",195:"space-between",206:"30px",250:"flex",324:"30px",348:"baseline"}},children:[ {"text":"\n "}, {"tag":"span","attrib":{style:{1:"rgb(38, 38, 38)",2:"rgb(38, 38, 38)",13:"start",18:"stretch",26:"527.25px",32:"normal",39:"263.633px 10px",55:"rgb(38, 38, 38)",60:"rgb(38, 38, 38)",61:"rgb(38, 38, 38)",116:"263.633px 10px",122:"0px",123:"20px",126:"20px",128:"0px",144:"rgb(38, 38, 38)",154:"auto",155:"auto",156:"auto",157:"auto",177:"2px",183:"2px",188:"20px",195:"normal",201:"527.25px",206:"20px",217:"700",230:"13px",250:"block",264:"rgb(38, 38, 38)",271:"rgb(38, 38, 38)",276:"rgb(38, 38, 38)",289:"rgb(38, 38, 38)",295:"rgb(38, 38, 38)",298:"rgb(38, 38, 38)",301:"rgb(38, 38, 38)",304:"rgb(38, 38, 38)",317:"rgb(38, 38, 38)",320:"rgb(38, 38, 38)",323:"rgb(38, 38, 38)",324:"20px",348:"normal"}},children:[ {"text":"Carman Moore at Lincoln Center, and back on the pages of the Voice."},]}, {"text":"\n "}, {"tag":"span","attrib":{style:{1:"rgb(151, 151, 151)",2:"rgb(151, 151, 151)",13:"start",18:"stretch",26:"49.7167px",32:"normal",39:"24.8667px 6.4px",46:"uppercase",55:"rgb(151, 151, 151)",60:"rgb(151, 151, 151)",61:"rgb(151, 151, 151)",65:"right",116:"24.8667px 6.4px",122:"0px",128:"0px",144:"rgb(151, 151, 151)",154:"auto",155:"auto",156:"auto",157:"auto",158:"20%",159:"20%",177:"2px",183:"2px",188:"12.8px",191:"0.24px",195:"normal",201:"49.7167px",206:"12.8px",217:"500",230:"8px",240:"0",250:"block",264:"rgb(151, 151, 151)",271:"rgb(151, 151, 151)",276:"rgb(151, 151, 151)",289:"rgb(151, 151, 151)",295:"rgb(151, 151, 151)",298:"rgb(151, 151, 151)",301:"rgb(151, 151, 151)",304:"rgb(151, 151, 151)",317:"rgb(151, 151, 151)",320:"rgb(151, 151, 151)",323:"rgb(151, 151, 151)",324:"12.8px",348:"normal"}},children:[ {"text":"C.S. Muncy"},]}, {"text":"\n "},]}, {"text":"\n "},]}, {"text":"\n"},]}, {"text":"\n\t\t"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 208px",116:"345px 208px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"416px",230:"18px",324:"416px"}},children:[ {"text":"Let’s start with a two-page photo spread from the March 1968 issue of "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"64.9333px 11px",116:"64.9333px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Mademoiselle "},]}, {"text":"magazine, taken near the Sheridan Square offices of the "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"57.4167px 11px",116:"57.4167px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Village Voice"},]}, {"text":". The caption for the piece describes the downtown weekly as a “hard-hitting, no-holds-barred, language-zesty paper dedicated to free opinion on just about everything.” So there’s Deborah Jowitt, dance critic, stylish in white stockings and black pumps, and Howard Smith with a flowing scarf, something right out of the avant-garde culture notes in his “Scenes” column. Nat Hentoff has a sheaf of papers under his arm, maybe a Supreme Court brief or liner notes for a jazz album, depending on what he was writing about that week. Amid these dozen freelance "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"24.1333px 11px",116:"24.1333px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Voice"},]}, {"text":" scribes who appeared regularly in the paper, only one was Black: Carman Moore, dapper in a dark suit, patterned tie, and light overcoat and slacks. Under his name is printed simply “Music.”"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 224px",116:"345px 224px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"448px",230:"18px",324:"448px"}},children:[ {"text":"That one word says it all, because for eight decades, Moore (born 1936) has practiced what he has preached, not only as a longtime writer of music criticism for the "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"26.9833px 11px",116:"26.9833px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Voice "},]}, {"text":"and other publications but also as a composer for everyone from avant-garde jazz improvisers to classic rock stalwarts to full symphony orchestras. As Moore tells the "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"24.1333px 11px",116:"24.1333px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Voice"},]}, {"text":" in a recent interview, his lifelong musical journey began in a small Ohio town (“20 enormous miles from Cleveland”), where he played first French horn in high school. Next stop was more music training, at Ohio State University, and then in the fall of 1958, the Juilliard School, in Manhattan. All the while he was writing, and at some point he entered a poetry contest hosted by the "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"57.4167px 11px",116:"57.4167px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Village Voice"},]}, {"text":" and judged by two heavyweights of verse, Marianne Moore and Robert Lowell. His second-place finish made the budding writer think that he could find a home at the weekly newspaper, and add some new perspectives, since the bulk of musical coverage was still in the classical groove."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 80px",116:"345px 80px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"160px",230:"18px",324:"160px"}},children:[ {"text":"At first, the pay was “bupkas,” as Moore recalls, maybe subway fare. The greater reward was to be out amid the emerging strains of new sounds in the 1960s. “The "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"26.9833px 11px",116:"26.9833px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Voice "},]}, {"text":"itself,” he tells me, speaking not just about music but about the whole postwar cultural scene in downtown New York, “was a statement of that new mentality. It sort of got invented by the need for it.”"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 256px",116:"345px 256px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"512px",230:"18px",324:"512px"}},children:[ {"text":"With his conservatory training, Moore was as comfortably at home reviewing the Juilliard Opera Theatre’s performance of "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"50.6167px 11px",116:"50.6167px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"La Bohème"},]}, {"text":" (the orchestra “played with clean and fervent sympathy”) as he was covering a memorial program of chamber music by the American modernist Henry Cowell (1897–1965), noting the composer’s masterful phrasing—sometimes by way of “a piano being pounced upon with elbow and forearm as in ‘Tiger’ or having its strings rubbed from inside the lid, as in ‘The Banshee.’” Both reviews appeared in the same March 1966 column; three months later, in the June 9 issue, Moore was writing about the very up-to-the-minute composer of “tape music,” Steve Reich, in a piece headlined “Park Place Electronics.” First noting that “foam rubber pillows were made available for sitting or sprawling” upon by the audience, Moore described how Reich employed taped and altered phrases, such as, “Come out and show them,” explaining how rapidly repeating the “sh” in “show” replicated “the sound of maracas,” and concluding, “Mr. Reich’s work suggested a raga exercise, distorting and distorting to incandescence.”"},]}, {"text":"\n"}, {"tag":"div","attrib":{style:{26:"764px",39:"382px 396.933px",116:"382px 396.933px",158:"764px",159:"764px",177:"0px",178:"125px",179:"125px",180:"125px",181:"125px",182:"25px",183:"0px",184:"25px",201:"764px",206:"793.85px",324:"793.85px"}},children:[ {"text":"\n "}, {"tag":"figure","attrib":{style:{158:"none",159:"none",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",184:"0px"}},children:[ {"text":"\n "}, {"tag":"div","attrib":{style:{39:"382px 371.933px",116:"382px 371.933px",206:"743.85px",324:"743.85px"}},children:[ {"text":"\n "}, {"tag":"img","attrib":{"loading":"lazy","src":"https://www.villagevoice.com/wp-content/uploads/2022/02/web-2_PARK-PLACE-ELEC-1024x997.jpg","alt":"","srcset":"https://www.villagevoice.com/wp-content/uploads/2022/02/web-2_PARK-PLACE-ELEC-1024x997.jpg 1024w, https://www.villagevoice.com/wp-content/uploads/2022/02/web-2_PARK-PLACE-ELEC-300x292.jpg 300w, https://www.villagevoice.com/wp-content/uploads/2022/02/web-2_PARK-PLACE-ELEC-768x748.jpg 768w, https://www.villagevoice.com/wp-content/uploads/2022/02/web-2_PARK-PLACE-ELEC-600x584.jpg 600w, https://www.villagevoice.com/wp-content/uploads/2022/02/web-2_PARK-PLACE-ELEC-400x390.jpg 400w, https://www.villagevoice.com/wp-content/uploads/2022/02/web-2_PARK-PLACE-ELEC-200x195.jpg 200w, https://www.villagevoice.com/wp-content/uploads/2022/02/web-2_PARK-PLACE-ELEC.jpg 1183w","sizes":"(max-width: 1024px) 100vw, 1024px","width":"1024","height":"997",style:{32:"normal",158:"960px",159:"960px"}},children:[]}, {"text":" "},]}, {"text":"\n "}, {"tag":"figcaption","attrib":{style:{13:"justify",18:"baseline",39:"382px 25px",116:"382px 25px",122:"8px",128:"8px",195:"space-between",206:"50px",250:"flex",324:"50px",348:"baseline"}},children:[ {"text":"\n "}, {"tag":"span","attrib":{style:{1:"rgb(38, 38, 38)",2:"rgb(38, 38, 38)",13:"start",18:"stretch",26:"655.433px",32:"normal",39:"327.717px 20px",55:"rgb(38, 38, 38)",60:"rgb(38, 38, 38)",61:"rgb(38, 38, 38)",116:"327.717px 20px",122:"0px",123:"20px",126:"20px",128:"0px",144:"rgb(38, 38, 38)",154:"auto",155:"auto",156:"auto",157:"auto",177:"2px",183:"2px",188:"20px",195:"normal",201:"655.433px",206:"40px",217:"700",230:"13px",250:"block",264:"rgb(38, 38, 38)",271:"rgb(38, 38, 38)",276:"rgb(38, 38, 38)",289:"rgb(38, 38, 38)",295:"rgb(38, 38, 38)",298:"rgb(38, 38, 38)",301:"rgb(38, 38, 38)",304:"rgb(38, 38, 38)",317:"rgb(38, 38, 38)",320:"rgb(38, 38, 38)",323:"rgb(38, 38, 38)",324:"40px",348:"normal"}},children:[ {"text":"Whether jazz, classical, rock, or tape music, Moore covered the NYC scene early and often. "},]}, {"text":"\n "}, {"tag":"span","attrib":{style:{1:"rgb(151, 151, 151)",2:"rgb(151, 151, 151)",13:"start",18:"stretch",26:"108.567px",32:"normal",39:"54.2833px 6.4px",46:"uppercase",55:"rgb(151, 151, 151)",60:"rgb(151, 151, 151)",61:"rgb(151, 151, 151)",65:"right",116:"54.2833px 6.4px",122:"0px",128:"0px",144:"rgb(151, 151, 151)",154:"auto",155:"auto",156:"auto",157:"auto",158:"20%",159:"20%",177:"2px",183:"2px",188:"12.8px",191:"0.24px",195:"normal",201:"108.567px",206:"12.8px",217:"500",230:"8px",240:"0",250:"block",264:"rgb(151, 151, 151)",271:"rgb(151, 151, 151)",276:"rgb(151, 151, 151)",289:"rgb(151, 151, 151)",295:"rgb(151, 151, 151)",298:"rgb(151, 151, 151)",301:"rgb(151, 151, 151)",304:"rgb(151, 151, 151)",317:"rgb(151, 151, 151)",320:"rgb(151, 151, 151)",323:"rgb(151, 151, 151)",324:"12.8px",348:"normal"}},children:[ {"text":"Village Voice Archives"},]}, {"text":"\n "},]}, {"text":"\n "},]}, {"text":"\n"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 272px",116:"345px 272px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"544px",230:"18px",324:"544px"}},children:[ {"text":"Fast forward a couple of years (and past scores of reviews, such as one describing a Ravel composition as “sad sunshine” and a Morton Feldman piece for percussion as “quiet-to-the-point-of-being-little-more-than-philosophy”) and we arrive in that heady year of 1968, when Moore assays a pop quartet that some say was even more popular than Jesus. In the December 12, 1968, issue of the paper, Moore pays homage, from one music fanatic to four others: “I don’t know whether the original idea of doing virtually every popular music style since the ’20s and putting those 30 cuts into a plain, white cover is actually pompous, larcenous, or what. I only know that they invade those fields and end up cutting the heavies in all but two or three of them (even Tiny Tim). The key to this mastery—the easy way to say it—is that while others break their necks inventing styles, the Beatles invent songs. Another way—also easy—is that they are so obviously still respectful and excellent listeners to anybody else’s thing, that something makes them keep improving, and that music is their natural religion and they would yell their voices into hamburger, put their deepest secrets on a PA system, or strip stitchless if music is involved.”"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 352px",116:"345px 352px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"704px",230:"18px",324:"704px"}},children:[ {"text":"Moore wasn’t alone in his assessment of the so-called “White Album,” but his ardent observation that the Beatles were passionate students of their art has held up as well as the tunes under review more than half a century ago. The broadly educated critic with a voracious appetite for music of the now was also in a position to give props to a song that baffled more than a few Beatles faithful at the time, deeming “Revolution 9” “a not-badly-formed avant-garde outing.” But it wasn’t just the music of the moment that Moore was covering—he was also defending its creators. The February 16, 1967, front page of the "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"24.1333px 11px",116:"24.1333px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Voice"},]}, {"text":" featured a Fred W. McDarrah photo of a distraught Charlotte Moorman (a cellist and seminal performance artist) being arrested for the crime of, as Moore described two months later in the paper, asserting “any female cellist’s right to play Massenet’s ‘Melodie’ in a bikini made of blinking light bulbs or Brahms’ ‘Lullaby’ topless.” Moorman had been playing the cello in Fluxus artist Nam June Paik’s “Opera Sextronique,” the various costumes or lack thereof being part of the performance. In that April 27, 1967, issue, Moore described the scene at the Criminal Court hearing of “The People v. Moorman”: “Three rather scruffy policemen discoursed on Bach and cellos bowed with violins, flowers and such, masks and modern art forms. Confusion entered the case here and never left it. A courtroom screening of a subpoenaed CBS movie of the concert seemed to turn that afternoon session into a stag night. Court was adjourned.”"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 48px",116:"345px 48px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"96px",230:"18px",324:"96px"}},children:[ {"text":"At one point in the performance, Moorman had attached little propellers to her breasts, which the news film had captured, leading to this exchange in court the following day, as recorded in Moore’s article:"},]}, {"text":"\n"}, {"tag":"blockquote","attrib":{style:{1:"rgb(87, 87, 87)",2:"rgb(87, 87, 87)",26:"690px",39:"345px 116px",55:"rgb(87, 87, 87)",60:"rgb(87, 87, 87)",61:"rgb(87, 87, 87)",116:"345px 116px",124:"25px",125:"25px",144:"rgb(87, 87, 87)",158:"690px",159:"690px",177:"0px",178:"162px",179:"162px",180:"162px",181:"162px",183:"0px",188:"32px",201:"690px",206:"232px",217:"500",230:"17px",264:"rgb(87, 87, 87)",271:"rgb(87, 87, 87)",276:"rgb(87, 87, 87)",289:"rgb(87, 87, 87)",295:"rgb(87, 87, 87)",296:"3px",297:"solid",298:"rgb(204, 204, 204)",299:"3px",300:"solid",301:"rgb(204, 204, 204)",304:"rgb(87, 87, 87)",317:"rgb(87, 87, 87)",320:"rgb(87, 87, 87)",323:"rgb(87, 87, 87)",324:"232px"}},children:[ {"text":"\n"}, {"tag":"p","attrib":{style:{26:"662px",39:"331px 32px",116:"331px 32px",124:"0px",125:"0px",177:"17px",178:"0px",179:"0px",180:"0px",181:"0px",182:"24px",183:"17px",184:"24px",201:"662px",206:"64px",296:"0px",297:"none",298:"rgb(87, 87, 87)",299:"0px",300:"none",301:"rgb(87, 87, 87)",324:"64px"}},children:[ {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"327.917px 10.5px",116:"327.917px 10.5px",158:"none",159:"none",177:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"i","attrib":{style:{227:"italic"}},children:[ {"text":"The People: Did you use your breasts in any other way than by exposing and affixing propellers to them?"},]},]},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"662px",39:"331px 16px",116:"331px 16px",124:"0px",125:"0px",177:"17px",178:"0px",179:"0px",180:"0px",181:"0px",182:"24px",183:"17px",184:"24px",201:"662px",206:"32px",296:"0px",297:"none",298:"rgb(87, 87, 87)",299:"0px",300:"none",301:"rgb(87, 87, 87)",324:"32px"}},children:[ {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"48.4167px 10.5px",116:"48.4167px 10.5px",158:"none",159:"none",177:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"i","attrib":{style:{227:"italic"}},children:[ {"text":"She: What?"},]},]},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"662px",39:"331px 16px",116:"331px 16px",124:"0px",125:"0px",177:"17px",178:"0px",179:"0px",180:"0px",181:"0px",182:"24px",183:"17px",184:"24px",201:"662px",206:"32px",296:"0px",297:"none",298:"rgb(87, 87, 87)",299:"0px",300:"none",301:"rgb(87, 87, 87)",324:"32px"}},children:[ {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"276.25px 10.5px",116:"276.25px 10.5px",158:"none",159:"none",177:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"i","attrib":{style:{227:"italic"}},children:[ {"text":"T.P.: I mean like using them to play the instrument or something. "},]},]},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"662px",39:"331px 16px",116:"331px 16px",124:"0px",125:"0px",177:"17px",178:"0px",179:"0px",180:"0px",181:"0px",182:"24px",183:"17px",184:"24px",201:"662px",206:"32px",296:"0px",297:"none",298:"rgb(87, 87, 87)",299:"0px",300:"none",301:"rgb(87, 87, 87)",324:"32px"}},children:[ {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"326.733px 10.5px",116:"326.733px 10.5px",158:"none",159:"none",177:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"i","attrib":{style:{227:"italic"}},children:[ {"text":"She: Well, you saw the film. I don’t know how to do anything else with them. "},]},]},]}, {"text":"\n"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 112px",116:"345px 112px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"224px",230:"18px",324:"224px"}},children:[ {"text":"Moore testified for the defense, seeing Paik’s production as “a tweaking (Judge Milton Shalleck thought he heard ‘squeaking’) of the nose of a sexually unhealthy society, as well as a dig at our electronic society in the idea of wiring a female body.” An unsigned report in the May 11, 1967, "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"24.1333px 11px",116:"24.1333px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Voice"},]}, {"text":" was headlined “Moorman Guilty, Suspend Sentence,” and noted that while Judge Shalleck found the cellist “guilty of giving a lewd performance,” he decided not to send her to prison because it was her first offense."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 128px",116:"345px 128px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"256px",230:"18px",324:"256px"}},children:[ {"text":"So, the times they were a-changin’ and Moore was traveling with them. He tells me during the interview that the collisions of musical ideas came—then, as now—from “spending a lot of time in New York City, where everything’s going on, and a lot of things are appreciated that are not in the standard set-up.” For instance, there was the night he spent in a little club called Ungano’s, on West 70th Street, where, with fewer than 10 people in the house, he was transported by the guitar alchemies of Jimi Hendrix, Leslie West, and B.B. King jamming together."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 240px",116:"345px 240px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"480px",230:"18px",324:"480px"}},children:[ {"text":"Like the Beatles, Moore has always been an ecumenical listener, and early on he realized he wanted to start not just playing and writing about music but composing it. In a video interview from 2014 with the nonprofit Composers Now, an organization that promotes living artists, Moore speaks about playing French horn and cello as a youth, and then says, “I never thought I would become a composer until I started hearing things in my head. I felt I should check that out, because hearing things in your head could mean one thing, or it could mean another thing. The one thing was that these sounds and this music was original with me.” In 1975, his composition "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"57.3833px 11px",116:"57.3833px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Gospel Fuse "},]}, {"text":"premiered with the San Francisco Symphony. Speaking with "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"93.7167px 11px",116:"93.7167px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"The New York Times "},]}, {"text":"shortly before opening night, he described the piece as “almost a church service,” one that included the brilliant sax improviser Sam Rivers and a gospel quartet led by Cissy Houston. Moore said at the time, “At first I thought of Aretha Franklin but Cissy is fantastic. She’s Dionne Warwick’s aunt, and taught her to sing.”"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 176px",116:"345px 176px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"352px",230:"18px",324:"352px"}},children:[ {"text":"And remember that"}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"29.85px 11px",116:"29.85px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":" Voice "},]}, {"text":"poetry contest, back in the day? Well, it came full circle in the mid-1970s, because it turns out that Felix Cavaliere—he of soulful organ and heartfelt vocals for the chart-topping pop group the Rascals—enjoyed Moore’s "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"24.1333px 11px",116:"24.1333px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Voice"},]}, {"text":" articles. When Cavaliere decided to go the solo route, he called Moore, who tells me, “Felix said, ‘I’m looking for a lyricist.’ And I said, ‘I’ll give it a go,’ and I became a lyricist [laughter].”"}, {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"2.86667px 11px",116:"2.86667px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"text":"  "},]}, {"text":"Moore wrote the words for all the songs on Cavaliere’s first solo album, and some of the lyrics for later albums. Plus, Foghat anyone? In 1974, a Cavaliere-Moore track gave the title to the blues-rock band’s "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"55.8167px 11px",116:"55.8167px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Rock ’n’ Roll Outlaw"},]}, {"text":"s album. Lines such as these no doubt helped the disc achieve Gold record status:"},]}, {"text":"\n"}, {"tag":"blockquote","attrib":{style:{1:"rgb(87, 87, 87)",2:"rgb(87, 87, 87)",26:"690px",39:"345px 72px",55:"rgb(87, 87, 87)",60:"rgb(87, 87, 87)",61:"rgb(87, 87, 87)",116:"345px 72px",124:"25px",125:"25px",144:"rgb(87, 87, 87)",158:"690px",159:"690px",177:"0px",178:"162px",179:"162px",180:"162px",181:"162px",183:"0px",188:"32px",201:"690px",206:"144px",217:"500",230:"17px",264:"rgb(87, 87, 87)",271:"rgb(87, 87, 87)",276:"rgb(87, 87, 87)",289:"rgb(87, 87, 87)",295:"rgb(87, 87, 87)",296:"3px",297:"solid",298:"rgb(204, 204, 204)",299:"3px",300:"solid",301:"rgb(204, 204, 204)",304:"rgb(87, 87, 87)",317:"rgb(87, 87, 87)",320:"rgb(87, 87, 87)",323:"rgb(87, 87, 87)",324:"144px"}},children:[ {"text":"\n"}, {"tag":"p","attrib":{style:{26:"662px",39:"331px 16px",116:"331px 16px",124:"0px",125:"0px",177:"17px",178:"0px",179:"0px",180:"0px",181:"0px",182:"24px",183:"17px",184:"24px",201:"662px",206:"32px",296:"0px",297:"none",298:"rgb(87, 87, 87)",299:"0px",300:"none",301:"rgb(87, 87, 87)",324:"32px"}},children:[ {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"189.65px 10.5px",116:"189.65px 10.5px",158:"none",159:"none",177:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"i","attrib":{style:{227:"italic"}},children:[ {"text":"Undercover of the silver moon, run for cover"},]},]},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"662px",39:"331px 16px",116:"331px 16px",124:"0px",125:"0px",177:"17px",178:"0px",179:"0px",180:"0px",181:"0px",182:"24px",183:"17px",184:"24px",201:"662px",206:"32px",296:"0px",297:"none",298:"rgb(87, 87, 87)",299:"0px",300:"none",301:"rgb(87, 87, 87)",324:"32px"}},children:[ {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"142.867px 10.5px",116:"142.867px 10.5px",158:"none",159:"none",177:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"i","attrib":{style:{227:"italic"}},children:[ {"text":"There’s a lover with a magic tune"},]},]},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"662px",39:"331px 16px",116:"331px 16px",124:"0px",125:"0px",177:"17px",178:"0px",179:"0px",180:"0px",181:"0px",182:"24px",183:"17px",184:"24px",201:"662px",206:"32px",296:"0px",297:"none",298:"rgb(87, 87, 87)",299:"0px",300:"none",301:"rgb(87, 87, 87)",324:"32px"}},children:[ {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"183.133px 10.5px",116:"183.133px 10.5px",158:"none",159:"none",177:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"i","attrib":{style:{227:"italic"}},children:[ {"text":"Gonna work you over, roll you in the clover"},]},]},]}, {"text":"\n"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 192px",116:"345px 192px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"384px",230:"18px",324:"384px"}},children:[ {"text":"In 2006, another tune by the duo, “Everlasting Love,” was sampled by Busta Rhymes (joined by Stevie Wonder) in “Been Through the Storm.” Moore’s willingness to “give it a go” has always led him down interesting pathways. During our interview, Moore mentions that John Lennon attended a New York Philharmonic program at Lincoln Center that included works by Stravinsky, Mozart, and Moore’s “Wild Fire and Field Songs.” Shortly afterward, Moore tells me, laughing, the ex-Beatle sent a postcard reading, “I really loved your piece, but I could’ve done without the Mozart.” (Moore eventually became friends with the Liverpool legend, which led to another court appearance, this time testifying on behalf of Lennon, who was fighting a deportation case brought by the Nixon administration—a battle Lennon eventually won)."},]}, {"text":"\n"}, {"tag":"div","attrib":{style:{26:"764px",39:"382px 270.167px",116:"382px 270.167px",158:"764px",159:"764px",177:"0px",178:"125px",179:"125px",180:"125px",181:"125px",182:"25px",183:"0px",184:"25px",201:"764px",206:"540.333px",324:"540.333px"}},children:[ {"text":"\n "}, {"tag":"figure","attrib":{style:{158:"none",159:"none",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",184:"0px"}},children:[ {"text":"\n "}, {"tag":"div","attrib":{style:{39:"382px 255.167px",116:"382px 255.167px",206:"510.333px",324:"510.333px"}},children:[ {"text":"\n "}, {"tag":"img","attrib":{"loading":"lazy","src":"https://www.villagevoice.com/wp-content/uploads/2022/02/web_1_Carman-with-sculptures-1024x684.jpg","alt":"","srcset":"https://www.villagevoice.com/wp-content/uploads/2022/02/web_1_Carman-with-sculptures-1024x684.jpg 1024w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_1_Carman-with-sculptures-300x200.jpg 300w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_1_Carman-with-sculptures-768x513.jpg 768w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_1_Carman-with-sculptures-1536x1025.jpg 1536w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_1_Carman-with-sculptures-2048x1367.jpg 2048w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_1_Carman-with-sculptures-1366x912.jpg 1366w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_1_Carman-with-sculptures-600x401.jpg 600w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_1_Carman-with-sculptures-400x267.jpg 400w, https://www.villagevoice.com/wp-content/uploads/2022/02/web_1_Carman-with-sculptures-200x134.jpg 200w","sizes":"(max-width: 1024px) 100vw, 1024px","width":"1024","height":"684",style:{32:"normal",158:"960px",159:"960px"}},children:[]}, {"text":" "},]}, {"text":"\n "}, {"tag":"figcaption","attrib":{style:{13:"justify",18:"baseline",39:"382px 15px",116:"382px 15px",122:"8px",128:"8px",195:"space-between",206:"30px",250:"flex",324:"30px",348:"baseline"}},children:[ {"text":"\n "}, {"tag":"span","attrib":{style:{1:"rgb(38, 38, 38)",2:"rgb(38, 38, 38)",13:"start",18:"stretch",26:"439.117px",32:"normal",39:"219.567px 10px",55:"rgb(38, 38, 38)",60:"rgb(38, 38, 38)",61:"rgb(38, 38, 38)",116:"219.567px 10px",122:"0px",123:"20px",126:"20px",128:"0px",144:"rgb(38, 38, 38)",154:"auto",155:"auto",156:"auto",157:"auto",177:"2px",183:"2px",188:"20px",195:"normal",201:"439.117px",206:"20px",217:"700",230:"13px",250:"block",264:"rgb(38, 38, 38)",271:"rgb(38, 38, 38)",276:"rgb(38, 38, 38)",289:"rgb(38, 38, 38)",295:"rgb(38, 38, 38)",298:"rgb(38, 38, 38)",301:"rgb(38, 38, 38)",304:"rgb(38, 38, 38)",317:"rgb(38, 38, 38)",320:"rgb(38, 38, 38)",323:"rgb(38, 38, 38)",324:"20px",348:"normal"}},children:[ {"text":"Moore making the scene at Lincoln Center, January 2022."},]}, {"text":"\n "}, {"tag":"span","attrib":{style:{1:"rgb(151, 151, 151)",2:"rgb(151, 151, 151)",13:"start",18:"stretch",26:"49.7167px",32:"normal",39:"24.8667px 6.4px",46:"uppercase",55:"rgb(151, 151, 151)",60:"rgb(151, 151, 151)",61:"rgb(151, 151, 151)",65:"right",116:"24.8667px 6.4px",122:"0px",128:"0px",144:"rgb(151, 151, 151)",154:"auto",155:"auto",156:"auto",157:"auto",158:"20%",159:"20%",177:"2px",183:"2px",188:"12.8px",191:"0.24px",195:"normal",201:"49.7167px",206:"12.8px",217:"500",230:"8px",240:"0",250:"block",264:"rgb(151, 151, 151)",271:"rgb(151, 151, 151)",276:"rgb(151, 151, 151)",289:"rgb(151, 151, 151)",295:"rgb(151, 151, 151)",298:"rgb(151, 151, 151)",301:"rgb(151, 151, 151)",304:"rgb(151, 151, 151)",317:"rgb(151, 151, 151)",320:"rgb(151, 151, 151)",323:"rgb(151, 151, 151)",324:"12.8px",348:"normal"}},children:[ {"text":"C.S. Muncy"},]}, {"text":"\n "},]}, {"text":"\n "},]}, {"text":"\n"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 272px",116:"345px 272px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"544px",230:"18px",324:"544px"}},children:[ {"text":"Then there was the collaboration with a luminary of the literary sort, Ishmael Reed, who in 1980 needed someone to score "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"83.2833px 11px",116:"83.2833px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Personal Problems"},]}, {"text":", his “meta soap opera” about an African American nurse living in Harlem who is also a poet, her transit-worker husband, and a musician whom she is in love with on the side. Moore tells me that when they met, he felt that Reed was “another character, like John Lennon, in a way, different from other people. So, he said, ‘I’ve got this film I’m gonna make and I’d really like you to do the score,’ and I said, ‘Okay, just give me a few bucks so I can hire some people.’ And I just started knocking it together.” The 165-minute film, shot with improvisational verve on then cutting-edge videocassette cameras by director Bill Gunn, was re-released in 2018 to positive reviews. Jake Perlin, artistic and programming director for the Metrograph theater, in New York, who was instrumental in the 2018 restoration, told an interviewer at the time, “I think what a lot of people respond to is that this is obviously a film by people creating exactly what they wanted to, without compromise or influence by any cultural gatekeepers. The artists’ voices are unmediated, unstifled.”"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 112px",116:"345px 112px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"224px",230:"18px",324:"224px"}},children:[ {"text":"Which also describes what Moore has been doing for decades. Beginning in the 1980s, he has given great jazz improvisers room to spread their wings with his Skymusic Ensemble. The aughts brought meditational compositions with such apt titles as "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"89.35px 11px",116:"89.35px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Balloons After Noon"},]}, {"text":", "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"43.65px 11px",116:"43.65px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Stargazer"},]}, {"text":", and "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"26.5833px 11px",116:"26.5833px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Home"},]}, {"text":". His 2015 homage to Nelson Mandela, "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"32.7333px 11px",116:"32.7333px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Madiba"},]}, {"text":", premiered at Carnegie Hall; 2017 saw a Skymusic Ensemble piece performed at the Museum of Modern Art, inspired by Robert Rauschenberg’s prints riffing on Dante’s “Inferno.”"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 192px",116:"345px 192px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"384px",230:"18px",324:"384px"}},children:[ {"text":"Also brought forth in 2015 was Moore’s "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"93.4px 11px",116:"93.4px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Concerto for Ornette"},]}, {"text":", its moody strings imparting film-noir vibes from the 1950s until suddenly we’re swooping into new times through fetching bleats and skronks on the solo sax inspired by Moore friend and colleague Ornette Coleman (1930–2015). Moore’s arrangement captures the era when Coleman was creating new chops and is rife with the anxious, evocative innovations of the man wailing on the plastic sax who split opinions in the jazz world—Dizzy Gillespie: “I don’t know what he’s playing, but it’s not jazz”—yet enraptured such up ’n’ comers as Lou Reed. Speaking of one of Coleman’s seminal compositions, the rock trailblazer once said, “I heard ‘Lonely Woman,’ and that changed my life. The harmonies. That was it. There’s not a day goes by when I’m not humming ‘Lonely Woman.’”"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 144px",116:"345px 144px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"288px",230:"18px",324:"288px"}},children:[ {"text":"Moore channels such impact and devotion with the steeplechase melodies that thread through "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"93.4px 11px",116:"93.4px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Concerto for Ornette"},]}, {"text":"’s three movements, a piece that could only be realized after decades of playing instruments, writing words, composing music, and wandering New York to hear what there is to hear, whether in cramped clubs, spacious concert halls, or just out on the streets—experiences that a young Black man from Ohio has made into a long life’s work. Toward the end of our conversation, Moore reminds me of a Duke Ellington quote: “There are simply two kinds of music, good music and the other kind.” Better than most, Moore knows the difference.   ❖"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 32px",116:"345px 32px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"64px",230:"18px",324:"64px"}},children:[ {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"335.133px 11px",116:"335.133px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"i","attrib":{style:{227:"italic"}},children:[ {"text":"R.C. Baker has been writing about art, politics, popular culture, and sports for the "},]}, {"text":"Village Voice"}, {"tag":"i","attrib":{style:{39:"54.85px 11px",116:"54.85px 11px",227:"italic"}},children:[ {"text":" since 1994."},]},]},]}, {"text":"\n"}, {"tag":"div","attrib":{style:{26:"764px",39:"382px 422.917px",116:"382px 422.917px",158:"764px",159:"764px",177:"0px",178:"125px",179:"125px",180:"125px",181:"125px",182:"25px",183:"0px",184:"25px",201:"764px",206:"845.833px",324:"845.833px"}},children:[ {"text":"\n "}, {"tag":"figure","attrib":{style:{158:"none",159:"none",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",184:"0px"}},children:[ {"text":"\n "}, {"tag":"div","attrib":{style:{39:"382px 417.917px",116:"382px 417.917px",206:"835.833px",324:"835.833px"}},children:[ {"text":"\n "}, 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Wade."},]}, {"text":"\n\t\t\n "}, {"tag":"div","attrib":{style:{1:"rgb(23, 23, 23)",2:"rgb(23, 23, 23)",16:"0",26:"484px",39:"242px 12px",55:"rgb(23, 23, 23)",60:"rgb(23, 23, 23)",61:"rgb(23, 23, 23)",65:"center",116:"242px 12px",123:"0px",124:"0px",125:"0px",126:"0px",127:"7px",129:"7px",144:"rgb(23, 23, 23)",154:"0px",155:"0px",156:"0px",157:"0px",188:"17px",191:"0.98px",201:"484px",206:"24px",217:"500",230:"14px",235:"sans-serif",241:"0",243:"auto",264:"rgb(23, 23, 23)",271:"rgb(23, 23, 23)",276:"rgb(23, 23, 23)",289:"rgb(23, 23, 23)",295:"rgb(23, 23, 23)",298:"rgb(23, 23, 23)",301:"rgb(23, 23, 23)",304:"rgb(23, 23, 23)",317:"rgb(23, 23, 23)",320:"rgb(23, 23, 23)",323:"rgb(23, 23, 23)",324:"24px"}},children:[ {"text":"\n by\n "}, {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"65.45px 8.5px",116:"65.45px 8.5px",127:"0px",129:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"text":"\n "}, 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Nein, Nein!’ "},]}, {"text":"\n "},]}, {"text":"\n\n\t\t "}, {"tag":"div","attrib":{style:{1:"rgb(23, 23, 23)",2:"rgb(23, 23, 23)",16:"0",26:"484px",39:"242px 28.3px",55:"rgb(23, 23, 23)",60:"rgb(23, 23, 23)",61:"rgb(23, 23, 23)",65:"center",116:"242px 28.3px",123:"0px",124:"0px",125:"0px",126:"0px",127:"15px",129:"15px",144:"rgb(23, 23, 23)",154:"0px",155:"0px",156:"0px",157:"0px",188:"20.8px",201:"484px",206:"56.6px",227:"italic",235:"sans-serif",241:"0",243:"auto",264:"rgb(23, 23, 23)",271:"rgb(23, 23, 23)",276:"rgb(23, 23, 23)",289:"rgb(23, 23, 23)",295:"rgb(23, 23, 23)",298:"rgb(23, 23, 23)",301:"rgb(23, 23, 23)",304:"rgb(23, 23, 23)",317:"rgb(23, 23, 23)",320:"rgb(23, 23, 23)",323:"rgb(23, 23, 23)",324:"56.6px"}},children:[ {"text":"The novelist/memoirist/journalist takes an audacious, emotional journey through “concentration-camp-world.”"},]}, {"text":"\n\t\t\n "}, {"tag":"div","attrib":{style:{1:"rgb(23, 23, 23)",2:"rgb(23, 23, 23)",16:"0",26:"484px",39:"242px 12px",55:"rgb(23, 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{"tag":"div","attrib":{style:{16:"0",26:"484px",39:"242px 8px",65:"center",116:"242px 8px",123:"0px",124:"0px",125:"0px",126:"0px",154:"0px",155:"0px",156:"0px",157:"0px",188:"16px",191:"0.544px",201:"484px",206:"16px",217:"500",230:"13.6px",235:"sans-serif",241:"0",243:"auto",324:"16px"}},children:[ {"text":"\n June 21, 2022 "},]}, {"text":"\n "},]}, {"text":"\n"},]}, {"tag":"li","attrib":{style:{18:"center",39:"382px 129.8px",65:"left",116:"382px 129.8px",122:"30px",127:"30px",128:"30px",129:"30px",154:"200px",155:"200px",206:"259.6px",250:"flex",256:"none",313:"1px",314:"solid",317:"rgb(225, 225, 225)",321:"1px",322:"solid",323:"rgb(225, 225, 225)",324:"259.6px",348:"center"}},children:[ {"text":"\n "}, {"tag":"div","attrib":{style:{18:"stretch",26:"220px",39:"110px 73px",116:"110px 73px",122:"0px",127:"0px",128:"0px",129:"0px",154:"auto",155:"auto",156:"auto",157:"auto",201:"220px",206:"146px",240:"0",243:"220px",250:"block",313:"0px",314:"none",317:"rgb(0, 0, 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{"tag":"a","attrib":{"href":"https://www.villagevoice.com/2022/06/17/lying-liars-lying-about-queers/",style:{1:"rgb(0, 0, 238)",2:"rgb(0, 0, 238)",26:"auto",32:"normal",39:"0px 0px",55:"rgb(0, 0, 238)",60:"rgb(0, 0, 238)",61:"rgb(0, 0, 238)",116:"0px 0px",144:"rgb(0, 0, 238)",154:"0px",155:"0px",156:"0px",157:"0px",201:"auto",206:"auto",240:"1",243:"auto",250:"inline",254:"pointer",264:"rgb(0, 0, 238)",271:"rgb(0, 0, 238)",276:"rgb(0, 0, 238)",289:"rgb(0, 0, 238)",295:"rgb(0, 0, 238)",298:"rgb(0, 0, 238)",301:"rgb(0, 0, 238)",304:"rgb(0, 0, 238)",317:"rgb(0, 0, 238)",320:"rgb(0, 0, 238)",323:"rgb(0, 0, 238)",324:"auto"}},children:[ {"text":"\n "}, {"tag":"div","attrib":{style:{26:"220px",32:"isolate",39:"110px 73px",116:"110px 73px",201:"220px",206:"146px",250:"block",324:"146px",325:"cover",327:"50%",328:"50%",329:"50% 50%",331:"url('https://www.villagevoice.com/wp-content/uploads/fly-images/744043/WEB_1_desant-minnie-copy-300x300.jpg')"}},children:[ {"text":"\n "},]}, {"text":"\n "},]}, {"text":"\n\t\t "},]}, {"text":"\n "}, {"tag":"div","attrib":{style:{16:"1",18:"stretch",26:"544px",39:"272px 88.9px",116:"272px 88.9px",122:"0px",123:"30px",124:"30px",125:"30px",126:"30px",127:"0px",128:"0px",129:"0px",154:"auto",155:"auto",156:"auto",157:"auto",201:"544px",206:"177.8px",241:"1",243:"0%",250:"block",313:"0px",314:"none",317:"rgb(0, 0, 0)",321:"0px",322:"none",323:"rgb(0, 0, 0)",324:"177.8px",348:"normal"}},children:[ {"text":"\n\n\t\t "}, {"tag":"div","attrib":{style:{1:"rgb(22, 141, 255)",2:"rgb(22, 141, 255)",16:"0",26:"484px",39:"242px 11.5px",46:"uppercase",55:"rgb(22, 141, 255)",60:"rgb(22, 141, 255)",61:"rgb(22, 141, 255)",65:"center",116:"242px 11.5px",123:"0px",124:"0px",125:"0px",126:"0px",127:"5px",129:"5px",144:"rgb(22, 141, 255)",154:"0px",155:"0px",156:"0px",157:"0px",188:"18px",191:"0.6px",201:"484px",206:"23px",217:"700",230:"15px",235:"sans-serif",241:"0",243:"auto",264:"rgb(22, 141, 255)",271:"rgb(22, 141, 255)",276:"rgb(22, 141, 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':'+parts.port : '' let queryStr = parts.search ? parts.search : '' let hashStr = parts.hash ? parts.hash : '' return parts.protocol + '//' + parts.hostname + portStr + path + queryStr + hashStr } function strip_filename( path ) { last_slash = path.lastIndexOf('/') return ( last_slash >= 0 )? path.substr( 0, last_slash+1 ) : '/' } function getAbsoluteUrl( url ) { if ( url.match(/^data:|^javascript:/i ) ) return url let base_parts = new URL(base_url) if ( base_parts.protocol && base_parts.hostname ) { if ( url.indexOf('//') == 0 ) { url = base_parts.protocol + url } if ( url.indexOf('/') == 0 ) { url = base_parts.protocol + '//' + base_parts.hostname + url; } if ( ! url.match(/^[a-z]{3,5}:\/\//i) ) { let base_path = base_parts.pathname ? base_parts.pathname : '/' url = base_parts.protocol + '//' + base_parts.hostname + strip_filename( base_path ) + url } } return url_canonicalize(url) } function convert_url( attrib, value ) { let entry = cache_url switch ( attrib ) { case 'src': entry = entry.replace(/index2\.php/,'display2.php') case 'href': if ( value.startsWith('data:') ) return value return entry+encodeURIComponent( getAbsoluteUrl(value) ) } return value } let console_timing_count = 0 function console_timing() { if ( !( console_timing_count++ % 1000 ) ) { console.log('1000 ticks') } } let parse_inBody = false function parse_json( json, parentStyles ) { console_timing() if ( json.tag ) { let tag switch ( json.tag ) { case 'head': tag = document.head; break; case 'body': tag = document.body; break; //document.createElement('div'); // document.body.appendChild(tag) break; default: tag = document.createElement(json.tag) } if ( json.tag == 'base' ) { if ( json.attrib.href ) base_url = json.attrib.href } if ( json.tag == 'head' ) { let style = document.createElement('style') style.innerHTML = '.w { '+default_styles_css+' }' tag.appendChild(style) } let ourStyle = {} for ( const attrib in json.attrib ) { if ( attrib == 'style' ) { for ( const style in json.attrib.style ) { let value = json.attrib.style[style] let key = wikiwix_styles[style] if ( default_styles[key] != value ) { tag.style[key] = value } ourStyle[style] = value } for ( const style in parentStyles ) { if ( !ourStyle.hasOwnProperty(style) ) { let value = parentStyles[style] let key = wikiwix_styles[style] if ( default_styles[key] != value ) { tag.style[wikiwix_styles[style]] = parentStyles[style] } ourStyle[style] = parentStyles[style] } } if ( ourStyle[style_to_id['position'] ] != 'static' ) { let zIndex = parseInt(ourStyle[style_to_id['z-index']]) if (( zIndex != NaN )&&( zIndex > zIndexMax )) zIndexMax = zIndex } } else { try { tag.setAttribute( attrib, convert_url(attrib,json.attrib[attrib]) ) } catch (err) {} } } if ( json.tag == 'body' ) { tag.style.overflowY='auto' /* tag.style.height='auto' tag.style.inset='0' tag.style.margin='0' tag.style.zIndex='0'*/ } if ( parse_inBody ) tag.setAttribute('class','w') json.children.forEach( (child)=>{ let node = parse_json(child,ourStyle) if (( node instanceof Node )&&( json.tag != 'html' )) tag.appendChild( node ) } ) return tag } else if ( json.text ) { return document.createTextNode( json.text ) } return false } parse_json(wikiwix_dom.head,{}) parse_inBody = true parse_json(wikiwix_dom.body,{}) if ( zIndexMax > 0 ) { $('#wikiwix_container').css('z-index',zIndexMax+1) $('#wikiwix_login_container').css('z-index',zIndexMax+2) $('#wikiwix_minimizer').css('z-index',zIndexMax+3) }