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213.417px",123:"20px",124:"20px",125:"20px",126:"20px",144:"rgb(37, 37, 37)",158:"780px",159:"780px",177:"32px",178:"117px",179:"117px",180:"117px",181:"117px",182:"25px",183:"32px",184:"25px",188:"85.3667px",201:"780px",206:"426.833px",217:"700",230:"88px",235:"sans-serif",264:"rgb(37, 37, 37)",271:"rgb(37, 37, 37)",276:"rgb(37, 37, 37)",289:"rgb(37, 37, 37)",295:"rgb(37, 37, 37)",298:"rgb(37, 37, 37)",301:"rgb(37, 37, 37)",304:"rgb(37, 37, 37)",317:"rgb(37, 37, 37)",320:"rgb(37, 37, 37)",323:"rgb(37, 37, 37)",324:"426.833px"}},children:[ {"text":"Photographer Norman Seeff on His Iconic ‘Exile On Main Street’ Images"},]}, {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"0px 0px",116:"0px 0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[]}, {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"0px 0px",116:"0px 0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[]}, {"text":"\n "}, {"tag":"h2","attrib":{style:{26:"545px",39:"272.5px 55.2px",65:"center",116:"272.5px 55.2px",123:"30px",124:"30px",125:"30px",126:"30px",158:"545px",159:"545px",178:"234.5px",179:"234.5px",180:"234.5px",181:"234.5px",182:"25px",184:"25px",188:"27.6px",201:"545px",206:"110.4px",227:"italic",230:"24px",235:"sans-serif",324:"110.4px"}},children:[ {"text":"“What I’m saying is that everyone has access to the same resources of creativity, but most of us are too scared to use it.”"},]}, {"text":"\n "}, {"tag":"h2","attrib":{style:{39:"507px 10.5px",65:"center",116:"507px 10.5px",182:"10px",184:"10px",188:"20px",191:"1px",206:"21px",217:"500",230:"17px",235:"sans-serif",324:"21px"}},children:[ {"text":"by "}, {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"68.8167px 9.75px",46:"uppercase",116:"68.8167px 9.75px",182:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"a","attrib":{"href":"https://www.villagevoice.com/author/lina-lecaro/","title":"Posts by Lina Lecaro","rel":"author",style:{39:"68.8167px 11.5px",116:"68.8167px 11.5px",230:"19.0333px",254:"pointer"}},children:[ {"text":"Lina Lecaro"},]},]},]}, {"text":"\n\n "}, {"tag":"div","attrib":{style:{39:"507px 8.5px",65:"center",116:"507px 8.5px",182:"25px",184:"25px",206:"17px",324:"17px"}},children:[ {"text":"\n "}, {"tag":"time","attrib":{"datetime":"",style:{26:"auto",32:"normal",39:"60.7167px 9.5px",116:"60.7167px 9.5px",182:"0px",184:"0px",188:"17px",191:"1px",201:"auto",206:"auto",217:"500",235:"sans-serif",250:"inline",324:"auto"}},children:[ {"text":"May 17, 2022"},]}, {"text":"\n "},]}, {"text":"\n\n\n "},]}, {"text":"\n\n "}, {"tag":"div","attrib":{style:{39:"507px 0px",43:"0px",110:"0px",114:"relative",116:"507px 0px",127:"0px",129:"0px",192:"0px",197:"0px",198:"0px",199:"0px",200:"0px",206:"0px",284:"0px",324:"0px"}},children:[ {"text":"\n "}, {"tag":"div","attrib":{style:{26:"944px",39:"472px 7.5px",114:"absolute",116:"472px 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{"tag":"img","attrib":{"src":"https://www.villagevoice.com/wp-content/uploads/2022/05/Rolling-Stones-Norman-Seeff-Approved-for-general-press-usage-759x500-1.jpg","alt":"","srcset":"https://www.villagevoice.com/wp-content/uploads/2022/05/Rolling-Stones-Norman-Seeff-Approved-for-general-press-usage-759x500-1.jpg 759w, https://www.villagevoice.com/wp-content/uploads/2022/05/Rolling-Stones-Norman-Seeff-Approved-for-general-press-usage-759x500-1-300x198.jpg 300w, https://www.villagevoice.com/wp-content/uploads/2022/05/Rolling-Stones-Norman-Seeff-Approved-for-general-press-usage-759x500-1-600x395.jpg 600w, https://www.villagevoice.com/wp-content/uploads/2022/05/Rolling-Stones-Norman-Seeff-Approved-for-general-press-usage-759x500-1-400x264.jpg 400w, https://www.villagevoice.com/wp-content/uploads/2022/05/Rolling-Stones-Norman-Seeff-Approved-for-general-press-usage-759x500-1-200x132.jpg 200w","sizes":"(max-width: 759px) 100vw, 759px","width":"759","height":"500",style:{32:"normal",158:"960px",159:"960px"}},children:[]}, {"text":" "},]}, {"text":"\n "}, {"tag":"figcaption","attrib":{style:{13:"justify",18:"baseline",39:"382px 11.4px",116:"382px 11.4px",122:"8px",128:"8px",195:"space-between",206:"22.8px",250:"flex",324:"22.8px",348:"baseline"}},children:[ {"text":"\n "}, {"tag":"span","attrib":{style:{1:"rgb(38, 38, 38)",2:"rgb(38, 38, 38)",13:"start",18:"stretch",26:"20px",32:"normal",39:"10px 0px",55:"rgb(38, 38, 38)",60:"rgb(38, 38, 38)",61:"rgb(38, 38, 38)",116:"10px 0px",122:"0px",123:"20px",126:"20px",128:"0px",144:"rgb(38, 38, 38)",154:"auto",155:"auto",156:"auto",157:"auto",177:"2px",183:"2px",188:"20px",195:"normal",201:"20px",206:"0px",217:"700",230:"13px",250:"block",264:"rgb(38, 38, 38)",271:"rgb(38, 38, 38)",276:"rgb(38, 38, 38)",289:"rgb(38, 38, 38)",295:"rgb(38, 38, 38)",298:"rgb(38, 38, 38)",301:"rgb(38, 38, 38)",304:"rgb(38, 38, 38)",317:"rgb(38, 38, 38)",320:"rgb(38, 38, 38)",323:"rgb(38, 38, 38)",324:"0px",348:"normal"}},children:[]}, {"text":"\n "}, {"tag":"span","attrib":{style:{1:"rgb(151, 151, 151)",2:"rgb(151, 151, 151)",13:"start",18:"stretch",26:"113.2px",32:"normal",39:"56.6px 6.4px",46:"uppercase",55:"rgb(151, 151, 151)",60:"rgb(151, 151, 151)",61:"rgb(151, 151, 151)",65:"right",116:"56.6px 6.4px",122:"0px",128:"0px",144:"rgb(151, 151, 151)",154:"auto",155:"auto",156:"auto",157:"auto",158:"20%",159:"20%",177:"2px",183:"2px",188:"12.8px",191:"0.24px",195:"normal",201:"113.2px",206:"12.8px",217:"500",230:"8px",240:"0",250:"block",264:"rgb(151, 151, 151)",271:"rgb(151, 151, 151)",276:"rgb(151, 151, 151)",289:"rgb(151, 151, 151)",295:"rgb(151, 151, 151)",298:"rgb(151, 151, 151)",301:"rgb(151, 151, 151)",304:"rgb(151, 151, 151)",317:"rgb(151, 151, 151)",320:"rgb(151, 151, 151)",323:"rgb(151, 151, 151)",324:"12.8px",348:"normal"}},children:[ {"text":"Courtesy Norman Seeff"},]}, {"text":"\n "},]}, {"text":"\n "},]}, {"text":"\n"},]}, {"text":"\n\t\t"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 208px",116:"345px 208px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"416px",230:"18px",324:"416px"}},children:[ {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"93.2px 11px",116:"93.2px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Exile on Main Street "},]}, {"text":"celebrates its 50th anniversary this week. It is widely regarded as the Rolling Stones’ most important album, but even if it isn’t your favorite, if you’re a Stones fan, you know it’s special, especially as a representation of the time when Mick, Keith, and the boys were at their coolest and most creative. Coming off the sexy Americana-tinged grit of"}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"65.9667px 11px",116:"65.9667px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":" Sticky Fingers"},]}, {"text":", "}, {"tag":"em","attrib":{style:{26:"auto",32:"normal",39:"21.55px 11px",116:"21.55px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Exile"},]}, {"text":" saw the band at a melodic high point in songwriting and stylistic output, evoking hedonism, wistfulness, and defiance as they had “exiled” themselves to avoid exorbitant UK taxes. The year was 1972, and music, in general, had an effortless excess about it. (The Black Crowes just released an EP celebrating "}, {"tag":"a","attrib":{"href":"https://music.amazon.com/albums/B09TX8BWPF?ref_=dmm_acq_mrn_d_ds_al_z_-c_c_579356624818_g_120309761644&gclid=Cj0KCQjwg_iTBhDrARIsAD3Ib5ivpHKhkVk5cv7zUsgMg3TpHTsGpIo3Hhm_VgGQ4PTHh0iJJ-hZPFsaAh3PEALw_wcB",style:{1:"rgb(37, 37, 37)",2:"rgb(37, 37, 37)",26:"auto",32:"normal",39:"91.6667px 11.5px",55:"rgb(37, 37, 37)",60:"rgb(37, 37, 37)",61:"rgb(37, 37, 37)",116:"91.6667px 11.5px",124:"2px",125:"2px",144:"rgb(37, 37, 37)",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",183:"0px",201:"auto",206:"auto",250:"inline",254:"pointer",264:"rgb(37, 37, 37)",271:"rgb(37, 37, 37)",276:"rgb(37, 37, 37)",289:"rgb(37, 37, 37)",295:"rgb(37, 37, 37)",298:"rgb(37, 37, 37)",301:"rgb(37, 37, 37)",304:"rgb(37, 37, 37)",313:"1px",314:"solid",317:"rgb(37, 37, 37)",320:"rgb(37, 37, 37)",321:"1px",322:"solid",323:"rgb(37, 37, 37)",324:"auto"}},children:[ {"text":"songs from the year"},]}, {"text":", and it opens with "}, {"tag":"em","attrib":{style:{26:"auto",32:"normal",39:"21.55px 11px",116:"21.55px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Exile"},]}, {"text":"’s first track “Rocks Off”). Photographer Norman Seeff was privy to much of the creative planning for the iconic record, as he worked with Mick Jagger and John Van Hamersveld on art direction and photography."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 96px",116:"345px 96px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"192px",230:"18px",324:"192px"}},children:[ {"text":"This weekend Seeff shares rare images and ephemera from the project with “50 Years In ‘Exile,’ exhibiting images from his 1972 photo session with the Stones. Vintage photos and the paste-up layout used to produce a set of postcards included with the original pressing of the album will be on display at the Rock Photography Museum in Glendale, California. Seeff shared some memories and background on the project and the band with us"}, {"tag":"em","attrib":{style:{26:"auto",32:"normal",39:"5.71667px 11px",116:"5.71667px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":". "},]},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 16px",116:"345px 16px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"32px",230:"18px",324:"32px"}},children:[ {"tag":"b","attrib":{style:{26:"auto",32:"normal",39:"255.183px 11px",116:"255.183px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"text":"Lina Lecaro: "}, {"tag":"i","attrib":{style:{39:"197.833px 11px",116:"197.833px 11px",227:"italic"}},children:[ {"text":"How did you come to work with the Stones?"},]},]},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 256px",116:"345px 256px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"512px",230:"18px",324:"512px"}},children:[ {"tag":"b","attrib":{style:{26:"auto",32:"normal",39:"76.2167px 11px",116:"76.2167px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"text":"NORMAN SEEFF: "},]}, {"text":"Well, it’s kind of a very broad story and I’m going to just add some history in there. I was a medical doctor working in emergency medicine in South Africa in Soweto.  I had to get out of the country because I didn’t like the South African apartheid system and they didn’t like me. I ended up in New York with one little camera in my hands and, never having been trained in the arts, but in the hubris of youth, thought “I can do anything I want.” I started walking the streets of New York and bumping into interesting people, asking them if I could photograph them. I’d bumped into people like Patti Smith or people from The Factory and I built up this portfolio in New York of what you could call “the subculture.” Suddenly, to my surprise, I ended up as this rock photographer in New York! I didn’t even know when I came from South Africa, that there was a business called the music business where you can take photographs for album covers. I met a man [Bob Cato] in New York–he was considered the top graphic designer in the music world. He became my mentor and opened up all the doors for me."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 160px",116:"345px 160px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"320px",230:"18px",324:"320px"}},children:[ {"text":"After about three years in New York, he recommended that I come to Los Angeles because they were looking for an art director for United Artists Records. Suddenly, you know, from a few years earlier, just walking the streets with a camera, I’m now a head of United Artists, the graphic side. Somehow, my reputation must have reached London. I get a call from someone about the Rolling Stones.  They’ll be in L.A. and would I do the shoots? The two biggest projects you could get were shooting either the Beatles or the Rolling Stones. I would have been happy with the Beatles as well, but the point is, once you shoot one, you can’t shoot the other. It’s like doing a commercial for Coca-Cola.  They won’t let you do one for Pepsi."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 16px",116:"345px 16px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"32px",230:"18px",324:"32px"}},children:[ {"tag":"em","attrib":{style:{26:"auto",32:"normal",39:"277.35px 11px",116:"277.35px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"tag":"b","attrib":{style:{}},children:[ {"text":"What was the conceptual idea behind the postcard imagery? "},]},]},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 208px",116:"345px 208px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"416px",230:"18px",324:"416px"}},children:[ {"text":"Mick Jagger was pissed off about the tax situation in England and they decided that they needed to leave and go and work in another country. Mick had seen a picture of the Ballet Russes, which was the Russian National Ballet Company.  They were traveling the world and what happened is the whole ballet company defected to the States. He’d seen a photograph of them, I think, coming down the ramp of an airplane. The story that I was told was Mick wanted to do it coming down the ramp of a boat, and more kind of period looking–Titanic days, that kind of look. We checked out the Long Beach docks and realized that if we brought the band to Long Beach, we would have 1000 people on the docks and that wasn’t going to work. Then the idea was can we build a set? I found one of the big stages in Hollywood and we had to work quickly. I got my crew and we took one day, starting early in the morning to build the set."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 144px",116:"345px 144px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"288px",230:"18px",324:"288px"}},children:[ {"text":"The other part of it was we were told that the Rolling Stones wanted to shoot at midnight so we had from seven in the morning till midnight.  I remember buying gallons of cheap red wine, and everyone was drinking all day as we were building the set. We were a little loaded by the end of the day, but when the Rolling Stones arrived, I realized that Mick was more stoned than anybody else in my crew. I was fine with that. The thing—if you do a Rolling Stones project, you had to create what I would call a “Rolling Stones moment.” You can’t just create something that anyone else has done."},]}, {"text":"\n"}, {"tag":"div","attrib":{style:{26:"764px",39:"382px 524.333px",116:"382px 524.333px",158:"764px",159:"764px",177:"0px",178:"125px",179:"125px",180:"125px",181:"125px",182:"25px",183:"0px",184:"25px",201:"764px",206:"1048.67px",324:"1048.67px"}},children:[ {"text":"\n "}, {"tag":"figure","attrib":{style:{158:"none",159:"none",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",184:"0px"}},children:[ {"text":"\n "}, {"tag":"div","attrib":{style:{39:"382px 509.333px",116:"382px 509.333px",206:"1018.67px",324:"1018.67px"}},children:[ {"text":"\n "}, {"tag":"img","attrib":{"loading":"lazy","src":"https://www.villagevoice.com/wp-content/uploads/2022/05/Seef-768x1024.jpg","alt":"","srcset":"https://www.villagevoice.com/wp-content/uploads/2022/05/Seef-768x1024.jpg 768w, https://www.villagevoice.com/wp-content/uploads/2022/05/Seef-225x300.jpg 225w, https://www.villagevoice.com/wp-content/uploads/2022/05/Seef-600x800.jpg 600w, https://www.villagevoice.com/wp-content/uploads/2022/05/Seef-400x533.jpg 400w, https://www.villagevoice.com/wp-content/uploads/2022/05/Seef-200x267.jpg 200w, https://www.villagevoice.com/wp-content/uploads/2022/05/Seef.jpg 1125w","sizes":"(max-width: 768px) 100vw, 768px","width":"768","height":"1024",style:{32:"normal",158:"960px",159:"960px"}},children:[]}, {"text":" "},]}, {"text":"\n "}, {"tag":"figcaption","attrib":{style:{13:"justify",18:"baseline",39:"382px 15px",116:"382px 15px",122:"8px",128:"8px",195:"space-between",206:"30px",250:"flex",324:"30px",348:"baseline"}},children:[ {"text":"\n "}, {"tag":"span","attrib":{style:{1:"rgb(38, 38, 38)",2:"rgb(38, 38, 38)",13:"start",18:"stretch",26:"451.383px",32:"normal",39:"225.7px 10px",55:"rgb(38, 38, 38)",60:"rgb(38, 38, 38)",61:"rgb(38, 38, 38)",116:"225.7px 10px",122:"0px",123:"20px",126:"20px",128:"0px",144:"rgb(38, 38, 38)",154:"auto",155:"auto",156:"auto",157:"auto",177:"2px",183:"2px",188:"20px",195:"normal",201:"451.383px",206:"20px",217:"700",230:"13px",250:"block",264:"rgb(38, 38, 38)",271:"rgb(38, 38, 38)",276:"rgb(38, 38, 38)",289:"rgb(38, 38, 38)",295:"rgb(38, 38, 38)",298:"rgb(38, 38, 38)",301:"rgb(38, 38, 38)",304:"rgb(38, 38, 38)",317:"rgb(38, 38, 38)",320:"rgb(38, 38, 38)",323:"rgb(38, 38, 38)",324:"20px",348:"normal"}},children:[ {"text":"From the author’s personal collection of Seeff’s postcards."},]}, {"text":"\n "}, {"tag":"span","attrib":{style:{1:"rgb(151, 151, 151)",2:"rgb(151, 151, 151)",13:"start",18:"stretch",26:"55.8px",32:"normal",39:"27.9px 6.4px",46:"uppercase",55:"rgb(151, 151, 151)",60:"rgb(151, 151, 151)",61:"rgb(151, 151, 151)",65:"right",116:"27.9px 6.4px",122:"0px",128:"0px",144:"rgb(151, 151, 151)",154:"auto",155:"auto",156:"auto",157:"auto",158:"20%",159:"20%",177:"2px",183:"2px",188:"12.8px",191:"0.24px",195:"normal",201:"55.8px",206:"12.8px",217:"500",230:"8px",240:"0",250:"block",264:"rgb(151, 151, 151)",271:"rgb(151, 151, 151)",276:"rgb(151, 151, 151)",289:"rgb(151, 151, 151)",295:"rgb(151, 151, 151)",298:"rgb(151, 151, 151)",301:"rgb(151, 151, 151)",304:"rgb(151, 151, 151)",317:"rgb(151, 151, 151)",320:"rgb(151, 151, 151)",323:"rgb(151, 151, 151)",324:"12.8px",348:"normal"}},children:[ {"text":"Lina Lecaro"},]}, {"text":"\n "},]}, {"text":"\n "},]}, {"text":"\n"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 16px",116:"345px 16px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"32px",230:"18px",324:"32px"}},children:[ {"tag":"b","attrib":{style:{26:"auto",32:"normal",39:"336.967px 11px",116:"336.967px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"i","attrib":{style:{227:"italic"}},children:[ {"text":"Were there any standout memories from the photo session with the band?"},]},]},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 240px",116:"345px 240px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"480px",230:"18px",324:"480px"}},children:[ {"text":"The whole period of that time was music was the cultural engine of change at that point. We were breaking free, in everything—sexual revolution, drug revolution, political—music became the onus of the movement as well. We were creating cultural icons… I knew that if I photographed The Rolling Stones dressed in a certain way, and that became the billboards, what we produced would become a cultural kind of influencer. At that point, they didn’t have that word, but that’s exactly what album covers were. At the same time, you can’t just do a photo session. Something unusual is going to happen, but I’m not a conceptual person. I’m an experiential photographer. Also, I’m not a documentary photographer. I never went to concerts and just photographed artists performing.  The artists came to my studio and we developed an interactive communication and a relationship. Without knowing anything, no preconceived, conceptual idea, we allowed the moments to evolve into something that was so powerful emotionally, that basically I would document the experience. It was my kind of approach."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 208px",116:"345px 208px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"416px",230:"18px",324:"416px"}},children:[ {"text":"For the "}, {"tag":"em","attrib":{style:{26:"auto",32:"normal",39:"21.55px 11px",116:"21.55px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Exile"},]}, {"text":" session… we started at midnight.  We had gone to Western Costume, which was the big movie costume place and we’d gotten all this period clothing. I had to have a whole cast of people so I brought a bunch of the people from my studio and a bunch of girls that worked for my studio assistants and producers and people like that. They all loved it because they’re all dressed up to the nines. Basically, what we had was this boat side set that we built. Stones and the “cast” were supposed to have just disembarked from the ramp.  The Rolling Stones are real pros, especially how Mick works—he was drinking wine, but he didn’t look loaded or anything. Keith is another thing—Keith just parties. Basically, it was the Rolling Stones. About two in the morning, we’re getting beautiful shots but that’s all I’m getting. They were standing around and it was all very spontaneous, whatever happens…happens."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 256px",116:"345px 256px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"512px",230:"18px",324:"512px"}},children:[ {"text":"In those days, I was shooting Nikon film cameras before digital and there was such a thing as a motor drive, but it wasn’t out really. For each shot that you took, you had to cock the lever and shoot it. Every time I wanted to cock it, I had to do it twice to shoot. I like to shoot very fast, one frame a second because I shoot almost cinematically, but I’m not thinking about the photograph when I’m working with an artist. I’m actually talking to them and engaging them in a relationship with the cameras that had been handed to me by my assistants. Suddenly, my main girl decided she wanted to kiss Mick deeply on the mouth. She spun around and she tried to kiss him.  The two of them lost their footing and they literally did a somersault together. I happen to be near them right at the time she kissed him. I got the shot of him flying through the air with his legs up in the air and her legs shot up in the air! Somehow, I was able to cock my camera and shoot it as if it was a movie camera, and I got this incredible sequence of stuff. Next thing is they’re laying on the ground! I’m happy I got my shot. That was what you would call a Rolling Stones moment."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 112px",116:"345px 112px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"224px",230:"18px",324:"224px"}},children:[ {"text":"As an art director, designer of album covers as well as a photographer, I was going to design the whole campaign, but I also brought on one of the top graphic people in the world of graphic design. His name was John Van Hamersveld. I did lots and lots of covers with him. You should check him out because his work is brilliant. He’s a genuinely impactful, fine artist. He and I collaborated in doing the whole package which was to become a very famous piece of artwork."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 32px",116:"345px 32px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"64px",230:"18px",324:"64px"}},children:[ {"tag":"b","attrib":{style:{26:"auto",32:"normal",39:"344.1px 11px",116:"344.1px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"i","attrib":{style:{39:"294.933px 11px",116:"294.933px 11px",227:"italic"}},children:[ {"text":"How did the idea to create postcards and include them inside of  "},]}, {"text":"Exile"}, {"tag":"i","attrib":{style:{39:"27.6167px 11px",116:"27.6167px 11px",227:"italic"}},children:[ {"text":" come about?"},]},]},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 160px",116:"345px 160px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"320px",230:"18px",324:"320px"}},children:[ {"text":"John and I looked at what we wanted to do and we both came to the same conclusion that whatever we do, it needs to be something that’s dynamic. Then I remembered, at the time, those days of the Titanic when people went overseas, they would buy these concertina postcards. At this point, the Rolling Stones were living in Bel Air and the idea was that they were going to do a second shoot, it was in Delhi, and I went to the house. And what I said to John, “Why don’t we not use the image for the cover? If we make this to look like that particular period and make it one of those concertina things and put it inside the album, we can design the album any way we want.” He came up with some brilliant graphic designs."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 272px",116:"345px 272px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"544px",230:"18px",324:"544px"}},children:[ {"text":"We show Mick and he loves the idea of making the postcards. We also said, “Listen, what’s your handwriting like?” So we all sat around the dining room table and we had Mick scribble all the credit lines. John and I and Mick were like a bunch of kids at a sort of kindergarten arts period with a little scissors and tape. We just cut everything up that Mick would write.  He would say, “Oh, yeah” and write down, ‘Photography by Norman Seeff.’ We cut it up and all of us actually just taped up everything onto the album cover. It was very much a kind of a collaborative thing but it was the idea of John’s to do it like that. We published the postcards and we put them in. When people bought the album, they found the postcards and every postcard was different. It was the hip thing to do to write people on your Rolling Stones postcard. Of course, Atlantic Records were incredibly excited. It was like, a whole new way to “pre-social” media. That’s the story around the evolution of an album cover, which becomes very much integrated into society. Then we also designed the campaigns for billboards. It was very strong.  It won a bunch of awards. It was a collaborative process of Norman, John, and Mick to actually create this piece. So that was the evolution of the whole process."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 16px",116:"345px 16px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"32px",230:"18px",324:"32px"}},children:[ {"tag":"b","attrib":{style:{26:"auto",32:"normal",39:"102.733px 11px",116:"102.733px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"i","attrib":{style:{227:"italic"}},children:[ {"text":"What about the cover?"},]},]},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 160px",116:"345px 160px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"320px",230:"18px",324:"320px"}},children:[ {"text":"John had found these amazing pictures of this guy with big balls in his mouth and there was also a wonderful documentary filmmaker [Robert Frank], who was shooting the Rolling Stones on 16-millimeter film. We took his film, we made copies, we cut it up, and we did a collage with the circus performers, that kind of stuff. It was just a crazy, irrational, meaningless cover. My photography was meant to be the cover was now it moved to the inside. Unfortunately, what happened is the record company, to save money later on after the first release, stopped putting the postcards in. Subsequently, the postcards have become collector’s editions in it, with people trying to find them."},]}, {"text":"\n"}, {"tag":"div","attrib":{style:{26:"764px",39:"382px 373.267px",116:"382px 373.267px",158:"764px",159:"764px",177:"0px",178:"125px",179:"125px",180:"125px",181:"125px",182:"25px",183:"0px",184:"25px",201:"764px",206:"746.517px",324:"746.517px"}},children:[ {"text":"\n "}, {"tag":"figure","attrib":{style:{158:"none",159:"none",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",184:"0px"}},children:[ {"text":"\n "}, {"tag":"div","attrib":{style:{39:"382px 361.867px",116:"382px 361.867px",206:"723.717px",324:"723.717px"}},children:[ {"text":"\n "}, {"tag":"img","attrib":{"loading":"lazy","src":"https://www.villagevoice.com/wp-content/uploads/2022/05/Norman_Seeff_S77317_F18-0-1024x970.jpg","alt":"","srcset":"https://www.villagevoice.com/wp-content/uploads/2022/05/Norman_Seeff_S77317_F18-0-1024x970.jpg 1024w, https://www.villagevoice.com/wp-content/uploads/2022/05/Norman_Seeff_S77317_F18-0-300x284.jpg 300w, https://www.villagevoice.com/wp-content/uploads/2022/05/Norman_Seeff_S77317_F18-0-768x727.jpg 768w, https://www.villagevoice.com/wp-content/uploads/2022/05/Norman_Seeff_S77317_F18-0-1536x1455.jpg 1536w, https://www.villagevoice.com/wp-content/uploads/2022/05/Norman_Seeff_S77317_F18-0-1366x1294.jpg 1366w, https://www.villagevoice.com/wp-content/uploads/2022/05/Norman_Seeff_S77317_F18-0-600x568.jpg 600w, https://www.villagevoice.com/wp-content/uploads/2022/05/Norman_Seeff_S77317_F18-0-400x379.jpg 400w, https://www.villagevoice.com/wp-content/uploads/2022/05/Norman_Seeff_S77317_F18-0-200x189.jpg 200w, https://www.villagevoice.com/wp-content/uploads/2022/05/Norman_Seeff_S77317_F18-0.jpg 1584w","sizes":"(max-width: 1024px) 100vw, 1024px","width":"1024","height":"970",style:{32:"normal",158:"960px",159:"960px"}},children:[]}, {"text":" "},]}, {"text":"\n "}, {"tag":"figcaption","attrib":{style:{13:"justify",18:"baseline",39:"382px 11.4px",116:"382px 11.4px",122:"8px",128:"8px",195:"space-between",206:"22.8px",250:"flex",324:"22.8px",348:"baseline"}},children:[ {"text":"\n "}, {"tag":"span","attrib":{style:{1:"rgb(38, 38, 38)",2:"rgb(38, 38, 38)",13:"start",18:"stretch",26:"20px",32:"normal",39:"10px 0px",55:"rgb(38, 38, 38)",60:"rgb(38, 38, 38)",61:"rgb(38, 38, 38)",116:"10px 0px",122:"0px",123:"20px",126:"20px",128:"0px",144:"rgb(38, 38, 38)",154:"auto",155:"auto",156:"auto",157:"auto",177:"2px",183:"2px",188:"20px",195:"normal",201:"20px",206:"0px",217:"700",230:"13px",250:"block",264:"rgb(38, 38, 38)",271:"rgb(38, 38, 38)",276:"rgb(38, 38, 38)",289:"rgb(38, 38, 38)",295:"rgb(38, 38, 38)",298:"rgb(38, 38, 38)",301:"rgb(38, 38, 38)",304:"rgb(38, 38, 38)",317:"rgb(38, 38, 38)",320:"rgb(38, 38, 38)",323:"rgb(38, 38, 38)",324:"0px",348:"normal"}},children:[]}, {"text":"\n "}, {"tag":"span","attrib":{style:{1:"rgb(151, 151, 151)",2:"rgb(151, 151, 151)",13:"start",18:"stretch",26:"113.2px",32:"normal",39:"56.6px 6.4px",46:"uppercase",55:"rgb(151, 151, 151)",60:"rgb(151, 151, 151)",61:"rgb(151, 151, 151)",65:"right",116:"56.6px 6.4px",122:"0px",128:"0px",144:"rgb(151, 151, 151)",154:"auto",155:"auto",156:"auto",157:"auto",158:"20%",159:"20%",177:"2px",183:"2px",188:"12.8px",191:"0.24px",195:"normal",201:"113.2px",206:"12.8px",217:"500",230:"8px",240:"0",250:"block",264:"rgb(151, 151, 151)",271:"rgb(151, 151, 151)",276:"rgb(151, 151, 151)",289:"rgb(151, 151, 151)",295:"rgb(151, 151, 151)",298:"rgb(151, 151, 151)",301:"rgb(151, 151, 151)",304:"rgb(151, 151, 151)",317:"rgb(151, 151, 151)",320:"rgb(151, 151, 151)",323:"rgb(151, 151, 151)",324:"12.8px",348:"normal"}},children:[ {"text":"Courtesy Norman Seeff"},]}, {"text":"\n "},]}, {"text":"\n "},]}, {"text":"\n"},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 16px",116:"345px 16px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"32px",230:"18px",324:"32px"}},children:[ {"tag":"b","attrib":{style:{26:"auto",32:"normal",39:"328.15px 11px",116:"328.15px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"i","attrib":{style:{227:"italic"}},children:[ {"text":"So how did this iconic session inspire or affect your photography career?"},]},]},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 208px",116:"345px 208px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"416px",230:"18px",324:"416px"}},children:[ {"text":"I’m new in the world. I’m still very fresh. I don’t even think of myself yet as successful. It takes a while as an artist. You’re always in a state of what I call “divine discontent” because it’s exciting, the creative process, but you never think it’s good enough. For me the impact of suddenly, after giving up a career in medicine, I’m the guy that Mick Jagger decides should shoot his next album? It started dawning on me ‘maybe you’re going to be okay. Maybe you’re going make it, you know?’  I was like, “Oh, okay, so getting the Rolling Stones in my portfolio of people I’ve shot gives me a certain credibility.” My art form is an art form of basically creative communication. I’m literally exploring the creative process with the artist, but creating this intimate interaction with them, and in a duality of being compassionately concerned about them feeling safe. At the same time, saying, if you don’t push your boundaries, all you get is mediocrity."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 192px",116:"345px 192px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"384px",230:"18px",324:"384px"}},children:[ {"text":"What I started doing was when I had artists performing, if they did a song, I’d make them do a song over and over and over again and push them to do it different ways. Often artists would get ideas and what would happen in the photo session would be things that they would integrate later on onstage. We would also explore stuff.   I would spray them with water and mess up their hair, really take away the comfort zone that artists would come in and think, “Oh, I’m coming in, you’re photographing me,” and I’m saying, “I’m not photographing you, you are going to be seen, the images that come out from today, first of all, will create a permanent, iconic identity for you on a global scale. Millions and millions of people will see these images.” I mean, the Rolling Stones, those images must have been published 10-20 million times."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 96px",116:"345px 96px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"192px",230:"18px",324:"192px"}},children:[ {"text":"A lot of my work was about once I’ve created the safety, and they knew my motivation, that I’m not there to try and manipulate or control them. They have to feel I was as much on the frontline as they are. So that whole process was what I was learning. What I learned out of that session and others is that even though you’re working with the most iconic artists, you cannot project onto them."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 16px",116:"345px 16px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"32px",230:"18px",324:"32px"}},children:[ {"tag":"b","attrib":{style:{26:"auto",32:"normal",39:"158.35px 11px",116:"158.35px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"i","attrib":{style:{227:"italic"}},children:[ {"text":"And what are you working on now?"},]},]},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 288px",116:"345px 288px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"576px",230:"18px",324:"576px"}},children:[ {"text":"I’ve been filming my sessions for years, I’ve got the largest unseen archive of film sessions of artists in the act of creation. We are now building a TV series and a feature film. I’m a multimedia artist who used film and photography as my vehicle to do what I really do, which is explore the inner journey of the creative process that artists go through in order to create. Realize that the great artists are what you’d call boundary-pushing artists. They live on the threshold of the unknown and they are willing to go into that place where I wanted them to go. The great artists are adventurers, and every session is an encounter with an artist willing to break their own threshold. What I’m saying is that everyone has access to the same resources of creativity, but most of us are too scared to use it. The great artists are scared but they go anyway. It’s an incredibly courageous heroic journey. That’s what my project’s going to be—it’s going to be called "}, {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"312.1px 11px",116:"312.1px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"Norman Seeff: The Power and Passion To Create Encounters With the Artists"},]}, {"text":". That’s the real work right now, but the idea is to bring this material out to show people that we’re all creative.  We all have the same emotional powers and strengths. we just have to be courageous enough to go on the journey. Creativity is a hero’s journey."},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 16px",116:"345px 16px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"32px",230:"18px",324:"32px"}},children:[ {"tag":"i","attrib":{style:{26:"auto",32:"normal",39:"245.733px 11px",116:"245.733px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",227:"italic",250:"inline",324:"auto"}},children:[ {"text":"(This interview has been edited for length and clarity) "},]},]}, {"text":"\n"}, {"tag":"p","attrib":{style:{26:"690px",39:"345px 48px",116:"345px 48px",158:"690px",159:"690px",177:"18px",178:"162px",179:"162px",180:"162px",181:"162px",182:"24px",183:"18px",184:"24px",188:"32px",201:"690px",206:"96px",230:"18px",324:"96px"}},children:[ {"tag":"strong","attrib":{style:{26:"auto",32:"normal",39:"343.917px 11px",116:"343.917px 11px",158:"none",159:"none",177:"0px",178:"0px",179:"0px",180:"0px",181:"0px",182:"0px",183:"0px",184:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"tag":"em","attrib":{style:{227:"italic"}},children:[ {"tag":"span","attrib":{"dir":"auto",style:{32:"isolate"}},children:[ {"text":"“50 Years in Exile” at the Rock Photography Museum in Glendale, California, and runs through Sunday, June 12. More info at"},]}, {"tag":"a","attrib":{"href":"http://rockphotographymuseum.com/",style:{1:"rgb(37, 37, 37)",2:"rgb(37, 37, 37)",39:"1px 11.5px",55:"rgb(37, 37, 37)",60:"rgb(37, 37, 37)",61:"rgb(37, 37, 37)",116:"1px 11.5px",124:"2px",125:"2px",144:"rgb(37, 37, 37)",182:"24px",184:"24px",254:"pointer",264:"rgb(37, 37, 37)",271:"rgb(37, 37, 37)",276:"rgb(37, 37, 37)",289:"rgb(37, 37, 37)",295:"rgb(37, 37, 37)",298:"rgb(37, 37, 37)",301:"rgb(37, 37, 37)",304:"rgb(37, 37, 37)",313:"1px",314:"solid",317:"rgb(37, 37, 37)",320:"rgb(37, 37, 37)",321:"1px",322:"solid",323:"rgb(37, 37, 37)"}},children:[ {"text":" Rockphotographymuseum.com "},]}, {"text":"and "}, {"tag":"a","attrib":{"href":"http://seeffvintagephotos.com/",style:{1:"rgb(37, 37, 37)",2:"rgb(37, 37, 37)",39:"110.833px 11.5px",55:"rgb(37, 37, 37)",60:"rgb(37, 37, 37)",61:"rgb(37, 37, 37)",116:"110.833px 11.5px",124:"2px",125:"2px",144:"rgb(37, 37, 37)",182:"24px",184:"24px",254:"pointer",264:"rgb(37, 37, 37)",271:"rgb(37, 37, 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Wade."},]}, {"text":"\n\t\t\n "}, {"tag":"div","attrib":{style:{1:"rgb(23, 23, 23)",2:"rgb(23, 23, 23)",16:"0",26:"484px",39:"242px 12px",55:"rgb(23, 23, 23)",60:"rgb(23, 23, 23)",61:"rgb(23, 23, 23)",65:"center",116:"242px 12px",123:"0px",124:"0px",125:"0px",126:"0px",127:"7px",129:"7px",144:"rgb(23, 23, 23)",154:"0px",155:"0px",156:"0px",157:"0px",188:"17px",191:"0.98px",201:"484px",206:"24px",217:"500",230:"14px",235:"sans-serif",241:"0",243:"auto",264:"rgb(23, 23, 23)",271:"rgb(23, 23, 23)",276:"rgb(23, 23, 23)",289:"rgb(23, 23, 23)",295:"rgb(23, 23, 23)",298:"rgb(23, 23, 23)",301:"rgb(23, 23, 23)",304:"rgb(23, 23, 23)",317:"rgb(23, 23, 23)",320:"rgb(23, 23, 23)",323:"rgb(23, 23, 23)",324:"24px"}},children:[ {"text":"\n by\n "}, {"tag":"span","attrib":{style:{26:"auto",32:"normal",39:"65.45px 8.5px",116:"65.45px 8.5px",127:"0px",129:"0px",201:"auto",206:"auto",250:"inline",324:"auto"}},children:[ {"text":"\n "}, {"tag":"a","attrib":{"href":"https://www.villagevoice.com/author/nathan-morris/","title":"Posts by Nathan Morris","rel":"author",style:{46:"uppercase",254:"pointer"}},children:[ {"text":"Nathan Morris"},]}, {"text":" "},]}, {"text":"\n "},]}, {"text":"\n \n "}, {"tag":"div","attrib":{style:{16:"0",26:"484px",39:"242px 8px",65:"center",116:"242px 8px",123:"0px",124:"0px",125:"0px",126:"0px",154:"0px",155:"0px",156:"0px",157:"0px",188:"16px",191:"0.544px",201:"484px",206:"16px",217:"500",230:"13.6px",235:"sans-serif",241:"0",243:"auto",324:"16px"}},children:[ {"text":"\n June 30, 2022 "},]}, {"text":"\n "},]}, {"text":"\n"},]}, {"tag":"li","attrib":{style:{18:"center",39:"382px 148.3px",65:"left",116:"382px 148.3px",122:"30px",127:"30px",128:"30px",129:"30px",154:"200px",155:"200px",206:"296.6px",250:"flex",256:"none",313:"1px",314:"solid",317:"rgb(225, 225, 225)",321:"1px",322:"solid",323:"rgb(225, 225, 225)",324:"296.6px",348:"center"}},children:[ {"text":"\n "}, {"tag":"div","attrib":{style:{18:"stretch",26:"220px",39:"110px 73px",116:"110px 73px",122:"0px",127:"0px",128:"0px",129:"0px",154:"auto",155:"auto",156:"auto",157:"auto",201:"220px",206:"146px",240:"0",243:"220px",250:"block",313:"0px",314:"none",317:"rgb(0, 0, 0)",321:"0px",322:"none",323:"rgb(0, 0, 0)",324:"146px",348:"normal"}},children:[ {"text":"\n\t\t "}, {"tag":"a","attrib":{"href":"https://www.villagevoice.com/2022/06/28/jerry-stahl-goes-gonzo-adjacent-in-nein-nein-nein/",style:{1:"rgb(0, 0, 238)",2:"rgb(0, 0, 238)",26:"auto",32:"normal",39:"0px 0px",55:"rgb(0, 0, 238)",60:"rgb(0, 0, 238)",61:"rgb(0, 0, 238)",116:"0px 0px",144:"rgb(0, 0, 238)",154:"0px",155:"0px",156:"0px",157:"0px",201:"auto",206:"auto",240:"1",243:"auto",250:"inline",254:"pointer",264:"rgb(0, 0, 238)",271:"rgb(0, 0, 238)",276:"rgb(0, 0, 238)",289:"rgb(0, 0, 238)",295:"rgb(0, 0, 238)",298:"rgb(0, 0, 238)",301:"rgb(0, 0, 238)",304:"rgb(0, 0, 238)",317:"rgb(0, 0, 238)",320:"rgb(0, 0, 238)",323:"rgb(0, 0, 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Nein, Nein!’ "},]}, {"text":"\n "},]}, {"text":"\n\n\t\t "}, {"tag":"div","attrib":{style:{1:"rgb(23, 23, 23)",2:"rgb(23, 23, 23)",16:"0",26:"484px",39:"242px 28.3px",55:"rgb(23, 23, 23)",60:"rgb(23, 23, 23)",61:"rgb(23, 23, 23)",65:"center",116:"242px 28.3px",123:"0px",124:"0px",125:"0px",126:"0px",127:"15px",129:"15px",144:"rgb(23, 23, 23)",154:"0px",155:"0px",156:"0px",157:"0px",188:"20.8px",201:"484px",206:"56.6px",227:"italic",235:"sans-serif",241:"0",243:"auto",264:"rgb(23, 23, 23)",271:"rgb(23, 23, 23)",276:"rgb(23, 23, 23)",289:"rgb(23, 23, 23)",295:"rgb(23, 23, 23)",298:"rgb(23, 23, 23)",301:"rgb(23, 23, 23)",304:"rgb(23, 23, 23)",317:"rgb(23, 23, 23)",320:"rgb(23, 23, 23)",323:"rgb(23, 23, 23)",324:"56.6px"}},children:[ {"text":"The novelist/memoirist/journalist takes an audacious, emotional journey through “concentration-camp-world.”"},]}, {"text":"\n\t\t\n "}, {"tag":"div","attrib":{style:{1:"rgb(23, 23, 23)",2:"rgb(23, 23, 23)",16:"0",26:"484px",39:"242px 12px",55:"rgb(23, 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